Aaron Sorkin’s follow up to The Social Network is not just flying the flag for great journalism, it’s also a lusty annihilation of the Facebook empire, proclaimed loudly enough to rattle even the people who can’t handle the truth.
After an exhilarating start, Alejandro Gonzalez Inarritu’s furious take on our current state of affairs doesn’t go deep enough, neutralizing its anger with a turn that may or may not make the satire more palatable.
Giuseppe Tornatore’s artful documentary about the celebrated King of Cashmere is almost as chancy as the Italian designer, Brunello Cucinelli’s life has been.