James Gray’s newest drama feels like a bit of paper tiger itself, initially impressive, but, ultimately, just too thin to leave the impression we’d hope it would.
Aaron Sorkin’s follow up to The Social Network is not just flying the flag for great journalism, it’s also a lusty annihilation of the Facebook empire, proclaimed loudly enough to rattle even the people who can’t handle the truth.
After an exhilarating start, Alejandro Gonzalez Inarritu’s furious take on our current state of affairs doesn’t go deep enough, neutralizing its anger with a turn that may or may not make the satire more palatable.