After some reported nips and tucks, Antoine Fuqua’s bio pic of The King of Pop feels like an attempt to balance fan service with an understanding of a serious artist.
This biography, ostensibly about one man’s sad journey with Tourette’s Syndrome, is also very much about enlightenment and compassion. And it just about wrecked me.
You can’t help but be impressed by Maggie Gyllenhaal’s take on this classic horror story. It’s audacious, ferocious, has terrific performances and a throbbing feminist heart. I just wish it had been stitched together a bit more judiciously.
With this oh so vivid interpretation of Emily Bronte’s romantic classic, Emerald Fennell secures her place as one of the most audacious, undeniable filmmakers working today.