Author Archive

The Zone of Interest

November 28, 2023

Jonathan Glazer’s drama, spare and unforgiving, is, in surprising ways, one of the most stunning films I’ve seen about the Holocaust.Sandra Huller

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May December

November 26, 2023

Todd Haynes’ provocative drama is full of questions. After watching it, I’ve got a few of my own.

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Napoleon

November 19, 2023

It certainly isn’t perfect, but, to answer the question director Ridley Scott has asked before, yes, I was entertained.

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Maestro

November 14, 2023

While this is ostensibly a portrait of one of the great artists of the 20th Century, its most fascinating note is its revelation of Bradley Cooper as a director who, like his subject, won’t settle for the ordinary.

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The Killer

November 11, 2023

David Fincher’s ice-cold kind of comedy is admirable, and a good exercise for the analytical. But what I couldn’t figure out is why all of this didn’t add up to something more fun.

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The Holdovers

October 23, 2023

Mixing the savory and the sweet, Alexander Payne has given us a gift of a film.

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NYAD

October 19, 2023

This is a movie with a clear goal. It aims to be inspirational, a crowd pleaser. And, for the most part, it succeeds. But it also glides past a few, more subtle or complicated things, moments which might have made this movie the stand up and cheer hit it wants to be.

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Killers of the Flower Moon

October 15, 2023

What a confluence of greatness here. Martin Scorsese and a collection of artists have given us a gift of stunning cinema that’s also a big, epic movie. And it is so much fun to watch.

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Lessons in Chemistry

October 10, 2023

A likeable enough adaptation, but throughout, I couldn’t help but wonder how the novel’s legions of fans would take to it. Because there has been a major change to this none-too-subtle story of womanhood in the 1950’s, maybe because the filmmakers thought there weren’t “Lessons” enough in the much beloved book?

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She came To Me

October 3, 2023

Bruce Springsteen’s “Addicted to Romance”, written to accompany the credits on Rebecca Miller’s film, is lithe and lovely. Too bad the movie itself is anything but.

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