Todd Field’s elegant and compelling drama is an of the moment look at power and its abuse. It’s a great, relevant piece of writing, brought to unshakeable life by a terrific cast, led by the inimitable Cate Blanchett.
This machine-like re-meet, where we eventually get together with the bewitched Sanderson Sisters of Salem, begins with a reminder of how the witches got booted out of their home to begin with.
Billy Eichner’s gay romantic comedy is a lot of things. It’s funny, it’s sweet, it’s bold and it is purposely very much of the moment. And while some may celebrate its very existence, what I appreciated the most were some of the quieter, more unexpected notes, observations that don’t take a pass on the truth of LGBTQ+ life as it is, right now.
There’s something interesting buried deep in this utopian mystery. But watching the Hitchcockian thriller without Hitchcock pulling the strings made me feel as if I didn’t give a spit.
This quiet yet profound documentary stands not only as a heartbreaking reflection on the Holocaust, but also a testament to the power of film, even those little home movies so many of us have tucked away in a close