
Luca Guadagnino’s film of first love is beautiful, capped by a scene I may, happily, never forget.

Luca Guadagnino’s film of first love is beautiful, capped by a scene I may, happily, never forget.

Had this super-cast superhero consolidation not come on the spectacular heels of “Wonder Woman”, I guess it would have been just another good enough chapter in the DC series. But it has. And, especially in comparison, this team effort feels less joyous, more uninspired.

With this sweeping epic, Dee Rees has created a racially charged melodrama that’s hard to shake.

Maybe I could have appreciated Louis C.K.’s muddled mess at another time. But. A comedy about a Woody Allen-ish director, a brilliant auteur with a reputation for taking advantage of innocent young things? A movie in which Louis repeats words he has used to the real-life press, vaguely defending his own questionable reputation, reminding us not to give light to dark rumors, to things that happen behind closed doors?

Three Billboards Outside Ebbing, Missouri
Martin McDonagh’s tragi-comedy turns out to be the most humane of movies: a non-sentimental but intimate look at people under the greatest of stresses but also a remarkable testament to the healing, or at least coping, powers of empathy.

Greta Gerwig’s sweetheart of a coming of age movie is warm, witty and pretty darn wonderful.
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‘Dark’ does not even come close. This schizoid, angry comedy may be for acquired tastes, and I may not be able to watch it again for quite a while. But I’m glad I saw it and I’m glad adventurous moviegoers can, too.

Somewhere near the end of this made-for-the-fans installment, Cate Blanchett states, “To be honest, I was expecting better”. I hear you, sister.

Jackie Chan may be the marquee name here, but it’s Pierce Brosnan who makes this action thriller as much fun as it is.